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(CF, Calder 1955–56, 39; Calder 1966, 57–58) Spring: With the help of Stirling's introduction, Calder seeks employment with an engineer in Canada.
Barr, Jr., Nancy Newhall, George Amberg, Iris Barry, Elizabeth Mock, Serge Chermayeff, Rene D'Harnoncourt, Monroe Wheeler, Elodie Courter, and Victor D'Amico. Sponsored by Peggy Guggenheim's Art of This Century, New York. Calder finds a job as a timekeeper for a logging camp in Independence, Washington. (Calder 1966, 55–56) Summer: Inspired by the logging camp landscape, Calder writes home and asks his mother for paints and brushes.
(Calder 1966, 37–38; Hayes 1977, 52–53; CF, Calder 1955–56, 14) August: The Calders move back to New York City on Claremont Place.
Directed by Robert Gardner; cinematography by Michael Butler, Robert Gardner, Len Gittleman, William Smock, John Spock, and Henry Stone; music by Jay Jaroslav; sound by Stuart Cody and Barry Ferguson. Calder stays with the architect Walter Bliss and his wife to graduate from Lowell High School.
Barcelona: Fundació Joan Miró–Centre d'Estudis d'Art Contemporani, 1975. Museum at Large and the Whitney Museum of American Art, New York. Directed and produced by Paul Falkenberg and Hans Namuth; narration by Louisa Calder, Tom Armstrong, and John Russell. Calder's parents move to a ranch in Oracle, Arizona, leaving Calder and his sister Peggy in the care of Dr. Calder befriends Riley, an elderly man recuperating at the ranch who shows him "how to make a wigwam out of burlap bags pinned together with nails." (Calder 1966, 16) Fall: The Calders move to Pasadena, California.
Portfolio of lithographs by Calder, Chillida, Guinovart, Miró, Ràfols-Casamada, Tàpies, Vedova, Viladecans. So I sent them another dollar and told them, “Look again.” They corroborated the first statement., in Philadelphia. (Calder 1966, 13) Spring: Stirling Calder contracts tuberculosis. (Calder 1966, 15; Hayes 1977, 18) End of March: Nanette picks up Calder and Peggy and they rejoin their father in Oracle.
Part of the series "Festival du court-métrage." Société Nouvelle Pathé-Cinema, Paris. Calder's workshop consists of a tent with a wooden floor. (CF, Nanette to Trask, 30 March; Calder 1966, 26–27) Fall: The Calders return to Philadelphia.
The unbound book includes seven folios and eight loose clippings, two newspapers, and one poster: black-and-white and color; 16 1/8" x 12 1/4". (Calder 1966, 59–61, 66–67; ASL, registration records) January–April: Calder enrolls again at the Art Students League, taking classes in portrait painting with George Luks, head and figure with Guy Pène du Bois, a drawing class with Boardman Robinson, and an etching class.
I always thought I was born—at least my mother always told me so—on August 22, 1898.
Produced, directed, and written by Robert Pierce; narrated by Lary Lewman; production manager, Mark Muheim, assistant camera/sound, Zack Krieger. Thirteen/WNET and Florentine Films/Roger Sherman Pictures, New York. Produced and directed by Roger Sherman; written by Thomas Mc Namee; narrated by Tovan Feldshuh, music by Teese Gohl. Produced by Zadig Productions, Calder Foundation, Centre Pompidou, Sloo Films, and France 5. Directed by François Levy-Kuentz; written by Stephan and François Levy-Kuentz; narration by Mathieu Almaric and Paul Bandey; music by Louis Sclavis.
16mm, color, sound (English); two versions: 28 min. Directed by Carlos Vilardebo in collaboration with André Bac, Marcel Beau, Jacques Decerf and Anne-Marie Cotret; narrated by Alexander Calder; music provided by Louisa Calder from various recordings. Produced, directed and written by Jean-Marie Drot; narrated by Jean-Marie Drot and Ed Wegman (NET). (Calder 1966, 48) 17 June: Calder graduates from Stevens with a degree in mechanical engineering.
Radiodiffusion Télévision Française-National Éducational Télévision, Paris. (Calder 1966, 46) Fall: Calder joins the Student Army Training Corps, Naval Section, at Stevens, where he is made guide of the battalion.